"It
is necessary that you observe yourself in a different way from the way
you do in your daily life. It is necessary to have a different attitude,
not the one that you have had until now. You know where your attitudes
have taken you until now. It does not make sense to continue to do so.
I do not have any desire to work with you if you remain as you are now.
You want knowledge, but what you have obtained until now was not knowledge.
It was only a mechanical collection of information. It is knowledge
outside you, not inside. It does not have value. What is important for
you is that somebody has created what you know previously? You have
not created it, so this knowledge is of little value."
-Gurdjieff-
For
many, the first impression of the Movements can be like a revelation,
because they are something totally different from what they might be
seen in the world of dance. In accordance with one of the Gurdjieff
's explanations, the objective of the dances is to achieve the harmonious
development of the human being through combining the mind and the feelings
with the movements of the body, manifesting them together. This is a
development that can never happen mechanically, by accident or by itself
and encourages the development of something which incorporates the whole
being, the human being in his totality: mind-body-emotion.
The execution of Gurdjieff´s Dances is a test that
does not allow fraud. Position and movement become something aware.
Through a firm and balanced position, presence remains without tension
or unnecessary wasted energy. There must be exactitude in the gesture,
obedience to the rhythm, absolute order governing the rows and colums
of the dancers and unanimity of movement. The slightest lack of attention
can make us lose all the work. The dancer must have a deep, relaxed,
maintained and renewed attention. One must feel the position, have an
alive impression of it; the position must be correct and pure, trying
to extend direct contact between will and body while one executes the
transition of the positions. This sensitivity is not developed just
by itself but what is necessary is that the participant has an outer
attitude that corresponds with the inner attitude. The aim is that an
abstraction from the ideas´ association that absorbs and divides our
attention takes place, so that the centers do not have freedom to evolve
wrongly.
At first, what we discover is that we are more prisoners
of the automatism than we thought, simultaneously we feel a strange
sensation of constriction and freedom. We must let go of the state of
tension that can appear in anyone of its forms: excess of will, agitation
of the mind, desire of results or any type of fear. Anyone of these
tensions can prevent the free flow of gesture and the movement within
its own rhythm, thus altering its expression or manifestation and the
meaning of the dance. Only by leaving behind the tensions, in a state
of letting-go, can we open ourselves to another force of attraction
and we set ourselves free enabling the inner to act. The body relaxes
completely and begins to participate more freely. A new intelligence
accompanies the movement and the flow appears. It is at that moment
when we approach the exact doing which Gurdjieff spoke of, the
real movement, the fundamental experience of a higher attention than
the ordinary one and that, perhaps, we have not experienced before.
The
Movements demand our being in different ways and this explains their
amazing diversity. Some movements look for the mastery of the body through
the rhythm and the intensity, which involves an attention consciously
controlled and more "masculine" in their expression. Others require
more smoothness and a more "feminine" expression, raising us beyond
the human condition through beauty in gestures of deep meaning. The
intention is not to satisfy an aesthetic sense, even though they do,
yet to wake up latent energies with the aid of appropriate positions.
The dance practiced with this intention has a different meaning completely,
so we become an instrument of universal energy.